Over the river, and through the woods, but your scribe isn’t going to grandma’s house. A visit to the British Museum’s African Textiles Today requires perseverance to cross multiple galleries, wend through crowds, until Gallery 90 is reached by fleet feet up four flights. Don’t be flummoxed by In Search of Classical Greece, cross through this exhibition to discover the African textiles exhibition tucked at the back. It’s not big, but it’s bold, bright and informative. And for your scribe it posed a question. Was Roy Lichtenstein influenced by African design?
Concurrent with the British Museum’s African Textiles exhibition is Tate Modern’s blockbuster Lichtenstein exhibition. Pop art’s pow hit the public in 1962. Lichtenstein, Warhol, Wesselmann, Indiana and Rosenquist all had one-man shows. Lichtenstein famously used newspaper comic strips as his compositional and narrative framework although he was also influenced to a lesser degree by other media.
Have critics considered whether Lichtenstein, like Picasso et al, was influenced by Africa, particularly African textiles? The term “radical chic” arrived in 1970 when Tom Wolfe used it in his New York magazine feature Radical Chic: That Party at Lenny’s to describe the interaction of above Houston Street denizens like conductor Leonard Bernstein with those who lived below Houston (Greenwich Village etc). Did Lichtenstein similarly seek inspiration or kudos from African motifs as secondary supplement to his adaptations of American mass media? Whether yes or no, the compilation image above shows the visual relationship between the two. Your scribe suggests readers cross the Thames both ways to see Lichtenstein on the south bank and African art on the north, and judge for yourselves. DJ